© Jeroen Musch
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Anouk Vogel's projects often oscillate between design and art.
She was born and grew up in Geneva, Switzerland. She studied landscape
architecture at the
Metropolitan University of Manchester in England where she graduated in
2001 with Honours and Distinction. After her studies she moved to the
Netherlands. In 2007, after a few years of working for various firms
like West 8, Bureau B+B and Inside/Outside, she set up her own
landscape architecture practice in Amsterdam.
Recently she was selected, with Johan Selbing, to design the new Westersingel
Bridge, near Museum Boijmans van Beuningen in the heart of Rotterdam.
© Jeroen Musch |
© Jeroen Musch |
© Jeroen Musch |
Anouk Vogel created an amazing paper garden for an exhibition
commissioned by the Gardening World Cup in Nakasaki, Japan. The
installation titled "Folding for Peace" was inspired by an ancient
Japanese legend which promises that anyone who folds a thousand origami
cranes will be granted a wish, such as long life or recovery from
illness. The garden is the physical remain of a wish for world peace.
All the plants that compose the garden are folded out of white paper. It was awarded the Silver Medal and Judges’ Special Award at the Festival of Flowers and World Peace.
© Jeroen Musch |
The twin park bridges combine function and ornament. Both bridges form
a continuation of the path and undulate slightly to allow the passage
of small boats. The deck rests on an artificial rock, which is also an
allusion to the addition of artifacts such as grottoes in early
landscape parks. The ornamental balustrades are both based on a leaf
pattern. While the ‘winter bridge’ tends to blend into the landscape
through a brittle leaf skeleton pattern, the ‘summer bridge’ imposes
itself through a dense pattern of summer foliage.
© Hermanna Prinsen
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© Hermanna Prinsen |
In collaboration with the fashion designer Mattijs van
Bergen Anouk Vogel produced a crossover piece: a living dress that brought each season to life with changing floral arrangements.
The tempo at which van
Bergen produces his collections is determined by the dynamics of the
fashion industry, whereas Vogel’s living work endures the seasons in
various forms. Devised from used bicycle inner tubes, the dress’s
dahlia-like surface is the result of myriad individual vases that can
hold water. Depending on the type of flowers used and how they’re
positioned, the appearance of the dress can change radically. When worn
on its own, the frock possesses its own innate beauty, offering an empty
canvas for a lifetime of shifting looks.
© Jeroen Musch
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© Jeroen Musch
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In 2009, for the second edition of the urban garden festival Bilbao Jardín, she realized a
sculpture composed of more than 900 cacti from the same species but
varying in height from 10 centimeters to 1 meter. It was temporarily located
in front of the Fine Arts Museum. The cacti were placed in an offset
grid and the different heights were arranged in such a way that they
formed an undulating carpet. The garden was also selected for the Dutch
Design Awards 2009.
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